“It seemed like a good fit on a lot of levels,” said Donna De Salvo, the Whitney’s chief curator. “Francesco is well known to the Whitney”—he helped organize the Rudolf Stingel retrospective in 2007—“and he has been thinking about and looking at biennials. Gary is about investing in a younger generation of curators. Not youth for youth’s sake but tapping into the way they see.”
This year, the biennial spilled over into the Park Avenue Armory for part of its run. At other times, it has spread into Central Park. The 2010 edition, it seems, will be a more concentrated affair, occupying only the museum’s landmark Marcel Breuer home. The two men also said they were considering weaving works from the Whitney’s holdings into the biennial, which would be a departure. “We have talked about using the permanent collection,” Carrion-Murayari said. “We definitely want to consider it.”
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